Saturday, March 17, 2007

Geek Joke

For some reason, my wife started the morning today by saying, jestingly, 'Friends, Romans, countrymen...'. I responded by saying, 'You know why that's a nice beginning to a speech?', thinking of the tricolon with an additional syllable added to each word. Always one to poke fun at the geek-in-residence, she responded in turn by asking, 'Because it's in the pedantic diameter?'

I chortled.

UPDATE: I guess I should note that the 'syllabic additionalism' continues in the next phrase, 'lend me your ears'. Nice, Will.

Wednesday, March 14, 2007

Why Doesn't My OCT Look Like This? (2)



Berkeley, University of California, The Bancroft Library, UCB 066
Part I 1. ff. 1-72 Italy s. XV
Folios: ff. 1-58 — Horace (Quintus Horatius Flaccus), Carmina

Tuesday, March 13, 2007

Why Doesn't My OCT Look Like This?

Actually, I don't even own an OCT of Horace at the moment, but I'm certain that, even if I did, this is not what I would be seeing.

Horace, Odes, Epodes, and Carmen saeculare, Italy, 1st quarter of the 16th century, 165 x 105 mm, Decorated initial
Burney 181, f. 90

Monday, March 12, 2007

A Brief Outline of Horace, Odes 2

2.1: For Pollio; civil wars; Horace ['H.' hereafter] prefers to sing of lighter subjects.

2.2: For Crispus Sallustius; moral poem; vanity of riches and supremacy of virtue.

2.3: For Delius; Golden Mean; enjoy life; death the great equalizer.

2.4: For Xanthus, in love with a slave girl; no need to be ashamed; mythological exempla; don't worry--H. not interested in the girl.

2.5: No addressee named, but the addressee interested in girl still too young for love; be patient; give it time.

2.6: For Septimius; bury me at Tibur; if that is not possible, then at Tarentum; praise of country/rural life.

2.7: For Pompeius; homecoming poem; had fought against Octavian; H. saved by Mercury at Battle of Phillipi.

2.8: For Barine, deceitful temptress of men.

2.9: For Volgius; it is not always winter; give up desiring your lost lover Mystes; sing instead of the victories of Augustus.

2.10: For Licinius; praise of the Golden Mean.

2.11:For Quinctius; time is short; enjoy the pleasures of leisure and wine while you can.

2.12: For Maecenas; war-themes not fit for lyre; they are better for prose histories; H. will sing love songs of Licymnia, who is better than all riches.

2.13: Addressed to tree that almost killed him; music in the Underworld.

2.14: For Postumus; death comes for everyone; your heir will get your possessions.

2.15: No addressee; private wealth is taking over everything against ancient custom instead of making things for public enjoyment.

2.16: For Pompeius Grosphus; peace of mind can't be found in war or bought with riches; Grosphus is rich, but H. has received a modest farm.

2.17: For Maecenas; we're best friends; we've both been saved from death; it will come eventually, but for now we should be grateful we've survived.

2.18: No addressee; H. is satisfied with his modest estate; on the other hand, the rich are greedy; but death will come for rich and poor alike.

2.19: Hymn to Bacchus; it is right to sing to him; he is powerful over many things, and was even able to go to the Underworld and escape unharmed.

2.20: For Maecenas; H. will not die, but his poetry will give him immortality; already he is turning into a swan; so, though he dies, he will not die, and his funeral will be corpseless, for 'the swan has flown' (West).