Tuesday, February 15, 2005

The Postmodern (De)generator

i'd never used our link on the left to the postmodern generator before, but i just did, and i must say--it's quite fun(ny)!

wait--maybe i should put some scare-quotes in there:

i'd never 'used' our 'link' on the left to the postmodern 'generator' before, but i just did, and i must 'say'--it's quite fun(ny)!

for example, see
this from an 'essay' titled 'surrealism in the works of spelling':

1. Spelling and dialectic pretextual theory
"Class is part of the futility of reality," says Foucault. The characteristic theme of von Junz's[1] essay on posttextual nationalism is not appropriation, as neosemanticist nihilism suggests, but preappropriation.

It could be said that surrealism states that narrativity, paradoxically, has significance, given that sexuality is interchangeable with language. The primary theme of the works of Stone is the genre, and some would say the collapse, of material society.

Therefore, the subject is interpolated into a postcapitalist paradigm of discourse that includes culture as a whole. Derrida promotes the use of dialectic pretextual theory to read reality.

this one talks about 'postpatriarchial constructivism'.

or this one:

"Sexual identity is unattainable," says Sartre; however, according to Dahmus[1] , it is not so much sexual identity that is unattainable, but rather the genre, and subsequent stasis, of sexual identity. The characteristic theme of the works of Madonna is the role of the artist as poet. In a sense, Sontag uses the term 'subdialectic narrative' to denote not demodernism per se, but predemodernism.

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